David Bowie and the Story of Ziggy Stardust

TV review: David Bowie and the Story of Ziggy Stardust

'Like an art installation' ... David Bowie as Ziggy Stardust. Photograph: Ilpo Musto / Rex Features

David Bowie doesn't actually take part in David Bowie and the Story of Ziggy Stardust (BBC4), an excellent documentary about the making of the album, and the birth of the alter ego that catapulted him from just an androgynous 1970s oddball to unearthly android and icon, the biggest – and most important thing – in British pop since the Beatles. It would be out of character, and take some of the mystery away, for him to appear as a talking head in a TV documentary, albeit one about himself. Elton John does that kind of thing – not Bowie.
It doesn't really matter, since just about everyone else who was there takes part: the Spiders from Mars (apart from guitarist Mick Ronson, of course, though his widow appears), plus producers, press officers, mime artists, old queens, dance teachers, journalists, photographers, friends, lovers, and a bunch of other musicians who were friends or fans or who simply wouldn't have happened if it hadn't been for Bowie. Like Marc Almond, Holly Johnson, and perhaps Jarvis Cocker, who is narrating.
Ah, and here is Elton John. "It was like an art installation, it was like, 'Wow!'" he says of Bowie's first appearance on Top of the Pops, singing Starman. "No one had ever seen anything like that before." And here's Elton again, on Bowie's seminal album. "When he came out with Ziggy Stardust, it was like an art installation, it was like, 'Wow!'" he says. Yeah, all right Dwight, we get it: it was like an art installation, it was like, "Wow!" Maybe Bowie does well not to appear on these shows.
Some of the Ziggy stuff, old interviews in which Bowie claims his mind was taken over by his own creation, now seems a little ridiculous in the get-real, down-to-earth 21st century. Yeah shut up, mate, you're from south London, not from bloody space. He doesn't even come over as a particularly nice person: very self-possessed and narcissistic. But perhaps you have to be, to be a genius. And God, it still sounds good, doesn't it?

 

NME launches poll to find the greatest David Bowie song of all time

NME has launched a new poll to crown the greatest David Bowie song of all time – head to NME.COM/Vote to cast your vote.

The poll coincides with the publication of the new issue of NME, on newsstands and available digitally now, which features an in-depth look at the making of 'The Rise And Fall Of Ziggy Stardust And The Spiders From Mars'.

The magazine, which comes with two collectable covers, includes new interviews with the people behind its creation and contributions from the likes of Noel Gallagher, Radiohead, Franz Ferdinand and PJ Harvey, who all speak about the album's influence on the past 40 years of music.

Also in this week's issue, The xx unveil their brand new album 'Coexist', Example gives us warts and all access to his arena tour and The Gaslight Anthem open up about their new album 'Handwritten'.

Meanwhile, NME's sister title Uncut have launched a new iPad app which allows you to take a look back on the history of the iconic singer.

'David Bowie: The Ultimate Music Guide' gives an overview of the Thin White Duke's five-decade long career with rare interviews taken from the archives of NME and Melody Maker, as well as newly commissioned reviews of each of the singer's studio albums.

The package costs £2.99 and is available from iTunes. A lite version of the app, which can be downloaded for free, is also available from iTunes.

David Bowie’s Vanishing Act—and Looming Return

Earlier this week, on a street-facing wall above a small social club in the British coastal town of Bristol, the unique tribute went up without fanfare or attracting the unwanted attention of police: guerrilla art as explicit homage to both rock star and royalty.

The graffiti, believed to have been painted by the street art provocateur Banksy, is a mashup featuring Queen Elizabeth II with a jagged blue-and-red lightning bolt streaked across her face that instantly recalls David Bowie’s 1973 album, Aladdin Sane.

With the British monarch having received saturation coverage thanks to her Diamond Jubilee celebrations for the past few days, the presumed Banksy work gives rise (fittingly enough) to a question that’s been hiding in plain sight for nearly a decade: where in the world is David Bowie?
o the bitter consternation of legions of his fans who consider Bowie’s disappearing act a kind of dereliction of duty, an unforgivable absence, he hasn’t stepped into the limelight in quite some time. But this year, the Glam godfather made an inexorable transformation, officially trading his status as a Golden Rock God to become a card-carrying senior citizen, hitting age 65 in January. Just this week, Bowie’s seminal album, The Rise and Fall of Ziggy Stardust and the Spiders From Mars, celebrated the 40th anniversary of its release with a lushly remastered CD reissue that includes unreleased bonus tracks and high-resolution audio.

Meanwhile, director Ridley Scott says he partly modeled Irish actor Michael Fassbender’s outer-space humanoid character in the upcoming sci-fi thriller Prometheus on the androgynous singer. “We … took inspiration from David Bowie and some of his looks as well,” Fassbender recently explained at a press event for the film. “I liked the idea of having a feminine quality to him for sure.”

It all adds up to a curious cultural predicament. Although Bowie basically dropped below the radar in 2003—recording no new music since then, performing only sporadically, and ceasing to give any interviews—the entertainer never announced his “retirement.” Now, some eight years after suffering a massive heart attack, Bowie seems to be everywhere and nowhere all at once.

“He has consciously dropped out of sight,” says Paul Trynka, author of David Bowie: Starman, considered the definitive biography of the singer. “For someone so consistently vain and self-obsessed, the heart attack—the realization of his mortality—came as a massive psychological blow. But he’s someone who has always had a real understanding of how to manipulate the media and saw the dramatic potential of a disappearance in a very Hollywood way. It became a kind of Houdini disappearing act. The fact that it’s gone unstated makes it even more mysterious.”

You can almost carbon-date Bowie’s disappearance to two specific points. In September 2003 the erstwhile Thin White Duke released his 24th studio album, Reality—his last recorded output. And after touring extensively that year into 2004, at a concert in Oslo, Norway, a fan threw a lollipop that nailed Bowie directly in the eye, causing the rocker to shout out in pain and outrage. A few days later at a Prague concert, he cut his performance short, complaining of a pinched nerve in his shoulder. Little did Bowie know that the muscle pain was due to an “acutely blocked artery.” In June 2004 he took the stage in Scheessel, Germany, and minutes after a final encore of “Ziggy Stardust,” went backstage and collapsed. The singer was rushed by helicopter to the hospital and underwent immediate heart surgery; the tour was canceled.

These days, sources close to Bowie say he lives in semi-seclusion in a $7.7 million penthouse apartment in New York’s SoHo with his wife of 20 years, the supermodel Iman, and their 11-year old daughter Alexandria (better known as Lexi). There, the shape-shifting rock pioneer—who was famously addicted to cocaine for 10 years followed by a hellish descent into alcoholism he later overcame—strenuously avoids paparazzi-bait restaurants and hyped-up nightspots, instead preferring to draw, paint, and collect 20th-century British artwork.

Over the past few years, he has performed sporadically, joining the Canadian group Arcade Fire onstage at a 2005 Fashion Rocks event. And in 2006 Bowie surprised those attending David Gilmour’s performance at London’s Royal Albert Hall, joining the Pink Floyd leader for two songs. In 2009 Bowie announced he would perform in New York for a concert celebrating the inaugural High Line festival. But later, the pop revolutionary mysteriously canceled. “Due to ongoing work on a new project, David Bowie has announced that it will not be possible for him to perform,” a press release explained.